Katrina is an Australian artist based in London.

She plays with photographic surface as a site of transformation, questioning preconceived notions of what an image is, and what representation can mean as document and as object. She primarily works with analogue and experimental processes, including darkroom printing, found 16mm film, hand retouching and colouring, facilitating chemigrams and making pinhole cameras (sometimes placing them covertly in public). Her work often takes form as photography, sculpture, moving image, and handmade books.


Katrina’s research fixates on material process, and making connections between food and images; their digestion and representation, source and distribution, and entwining as daily process. Working cross-disciplinarily, she often works in collaboration with other researchers and professionals in fields of genetics, design, food production and agriculture.


After finishing an MFA at Goldsmiths in London, 2020, she has since then, co-founded the project space Equivalentbehaviour in North London, and has exhibited Internationally. Katrina is a Project Manager of the London Alternative Photography Collective.


Exhibitions include Photometria, Ioannina, Greece (2025), Built Photography, Museum of Australian Photography (MAPH), Melbourne (2024), Symbiosis 1 + 2, A Hundred Years Gallery/ Four Corners, London (2024) Transmutation, The Margate School, Margate (2023), On Food, Conviviality and Cultures, Millepiani, Rome (2023), Un/Sense, Christie's, London (2022) the MFA Graduate Show, Goldsmiths, London, (2020) SURGE, the Courtauld East Wing Biennial, at Somerset House, London (2019), Altered States, St Johns Crypt, London (2018) and Bath Photography Festival, UK (2018).


Solo Exhibitions include DOMESTIC and the dispersion of it’s contents, Reference Point, London (2025), Aeterna, a bi-personal exhibition with Lorena Florio at Mucho Mas!, Turin, Italy (2024), and Preying for Modesty (Meatheads), PhotoAccess, Canberra, Australia (2021). 


In 2024, Katrina was awarded the DYPC grant from Arts Council England, which facilitated the production of her self-published book project DOMESTIC.