Katrina Stamatopoulos is a Greek-Australian artist based in London, whose work probes the skeptic nature of image making. She traces how cycles of nourishment, decay, and reproduction manifest both in the body and in the photographic medium itself.

Katrina’s work often begins with discarded or unstable materials: expired photographic papers, found 16mm film, objects, commercial waste, x-rays, packaging or food remnants. The histories embedded within these materials inform both her research and process. Through experimental hand-printing techniques, chemical manipulation, re-photographing, and installation, Katrina approaches photography as an active site of displacement, examining the medium’s abilities to translate and deceive.

A continuous thread in Katrina’s work is connecting the consumption of food and images; their digestion and representation, source and distribution, and entwining as daily process. Working cross-disciplinarily, she often works in collaboration with other researchers and professionals in fields of genetics, design, food production and agriculture.

After finishing an MFA at Goldsmiths in London, 2020, she has since then, exhibited internationally and co-founded the project space Equivalentbehaviour in North London.

Exhibitions include Photometria, Ioannina, Greece (2025), Built Photography, Museum of Australian Photography (MAPH), Melbourne (2024), Symbiosis 1 + 2, A Hundred Years Gallery/ Four Corners, London (2024) Transmutation, The Margate School, Margate (2023), On Food, Conviviality and Cultures, Millepiani, Rome (2023), Un/Sense, Christie's, London (2022) the MFA Graduate Show, Goldsmiths, London, (2020) SURGE, the Courtauld East Wing Biennial, at Somerset House, London (2019), Altered States, St Johns Crypt, London (2018) and Bath Photography Festival, UK (2018).

Solo Exhibitions include Dip & Dunk!, HAPAX Living room, London (2026), DOMESTIC and the dispersion of it’s contents, Reference Point, London (2025), Aeterna, a bi-personal exhibition with Lorena Florio at Mucho Mas!, Torino, Italy (2024), and Preying for Modesty (Meatheads), PhotoAccess, Canberra, Australia (2021). 

In 2024, Katrina was awarded the DYPC grant from Arts Council England, which facilitated the production of her self-published book project DOMESTIC.